Sweet Rosetia font family consists of a script, a sans style and a set of dingbats.
The handwritten modern script works perfectly together with the sans serif and 190+ cute illustrations. Sweet Rosetia Script includes a full set of lowercase letters with beginning swashes , a full set of lowercase letters with ending swashes, contextual alternates, stylistic alternates and ligatures features that makes the font look more natural.
Sweet Rosetia is perfect in designs such as logotypes, brand, magazines, websites or blog headlines, packaging, branding, quotes, invitation cards, greeting cards, business cards, wedding invites, and more.
Sweet Rosetia Includes:
- Ligatures, Contextual alternates, Stylistic alternates, and Swash (Beginning and Ending Swashes)
Uppercase, lowercase, numeral and punctuation
- Sweet Rosetia Regular and Sweet Rosetia Sans
- 190+ cute illustrations
- PUA Encoded Characters
- Fully accessible without additional design software
- Multilingual support for English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.
How to get access alternate glyphs with designing software to OpenType fonts, check this link : http: //adobe.ly/1m1fn4Y
Download Now Server 1 Download Now Server 3 Download Now Server 2 Bodoni Z37 is a twenty-first century Didone typeface with a dynamic range of widths, weights and optical sizes. Stylistically, what really sets it apart from other typefaces in its category are flat sides and a geometric Deco style. Razor thin lines are captivating at large sizes but can be hard to deal with when you get really small. Rather than compromising, Bodoni Z37 was created with three optical sizes: Large (Bodoni Z37 L) with high contrast, fine lines and tight spacing Small (Bodoni Z37 S) with sturdy lines, more generous spacing Medium (Bodoni Z37 M) which is right in-between Bodoni Z37’s cute, curly italics have loose spacing for clarity and emphasis. Lining numerals are kerned and proportionally spaced. There are OpenType fractions, numeric ordinals and old-style (lowercas