Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights.
What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding.
The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.
Download Now Server 1 Download Now Server 3 Download Now Server 2 Bodoni Z37 is a twenty-first century Didone typeface with a dynamic range of widths, weights and optical sizes. Stylistically, what really sets it apart from other typefaces in its category are flat sides and a geometric Deco style. Razor thin lines are captivating at large sizes but can be hard to deal with when you get really small. Rather than compromising, Bodoni Z37 was created with three optical sizes: Large (Bodoni Z37 L) with high contrast, fine lines and tight spacing Small (Bodoni Z37 S) with sturdy lines, more generous spacing Medium (Bodoni Z37 M) which is right in-between Bodoni Z37’s cute, curly italics have loose spacing for clarity and emphasis. Lining numerals are kerned and proportionally spaced. There are OpenType fractions, numeric ordinals and old-style (lowercas