History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything else that culturally enriches our daily lives, revisited and made anew for today.
Address Sans indulges in the spirit and aesthetics of mid-century Modern – Italian industrial design, sleek coffee makers, stylish cars, seductive jazz pressed on vinyl – with a charm and charisma that defies time. It evokes history but is decisively created for today.
Its design, in reality, is rooted in the condensed structure and block modulation of early 1950s German lettering intended for use in street signage, but when we started to work on the various weights and widths, the result was a set of fonts in a style similar to the typographic work developed by Butti and Novarese in the 60s. The multitude of potential applications for Address Sans then became clear.
In a range of 3 widths and 8 weights each, Address Sans includes little verses, true italics, small caps and numerous alternative signs for a total of 48 fonts. The result is a functional typeface that is effortlessly seductive, with geometric features and design details that ooze cool, and take it away from mere reinterpretation towards typographic forms that adapt perfectly for contemporary use.
Download Now Server 1 Download Now Server 3 Download Now Server 2 Bodoni Z37 is a twenty-first century Didone typeface with a dynamic range of widths, weights and optical sizes. Stylistically, what really sets it apart from other typefaces in its category are flat sides and a geometric Deco style. Razor thin lines are captivating at large sizes but can be hard to deal with when you get really small. Rather than compromising, Bodoni Z37 was created with three optical sizes: Large (Bodoni Z37 L) with high contrast, fine lines and tight spacing Small (Bodoni Z37 S) with sturdy lines, more generous spacing Medium (Bodoni Z37 M) which is right in-between Bodoni Z37’s cute, curly italics have loose spacing for clarity and emphasis. Lining numerals are kerned and proportionally spaced. There are OpenType fractions, numeric ordinals and old-style (lowercas